The copyright in this website and the material on this website (including without limitation the text, computer code, artwork, photographs, images, music, audio material, video material and audio-visual material on this website) is owned by Moriah LaChapell and Susie Sweetland Garay and the contributing artists and writers.
Copyright license
We grant you a worldwide non-exclusive royalty-free revocable license to:
view this website and the material on this website on a computer or mobile device via a web browser;
copy and store this website and the material on this website in your web browser cache memory; and
print pages from this website for your own [personal and non-commercial] use.
Share on facebook, Twitter and other social networking sites.
Data mining
The automated and/or systematic collection of data from this website is prohibited.
Permissions
You may request permission to use the copyright materials on this website by writing to bluehourmagazine@gmail.com
Enforcement of copyright
We take the protection of its copyright very seriously.
If we discovers that you have used its copyright materials in contravention of the license above, The Blue Hour magazine may bring legal proceedings against you seeking monetary damages and an injunction to stop you using those materials. You could also be ordered to pay legal costs.
If you become aware of any use of The Blue Hour Magazine's copyright materials that contravenes or may contravene the license above, please report this by email to bluehourmagazine@gmail.com.
Infringing material
If you become aware of any material on the website that you believe infringes your or any other person's copyright, please report this by email.
The Blue Hour 
Beautiful.
Gina Marie Lazar is a Philadelphia-based writer/artist. Her work has appeared in Pirene’s Fountain, The Buddhist Poetry Review, and AfterDark Online. She was recently selected as Featured Artist for the Winter ’13 issue of Fringe Magazine.
Reblogged this on Virtual Iridescence: Art and commented:
I’m honored to be featured in The Blue Hour Anthology, Volume Two, edited by Moriah LaChapell and Susan Sweetland Garay. ❤